Category Archives: fashion

Fashion Research Institute announces publication of Portfolio Design for Accessories Designers by Shenlei E. Winkler

Portfolio Design for the Accessories Designer

A good portfolio is critical to obtaining a job as a designer in the fashion industry.  But after working with student interns, author Shenlei Winkler realized that the step-by-step process of putting together a solid job-winning portfolio is not something that most portfolio classes cover.   Now more than ever, a good design portfolio is critical to getting that important first job. Young designers need a solid design portfolio, but knowing how to put that important document together may seem overwhelming.

Enter  Portfolio Design for Accessories Designers.   This new book provides insights and expertise of an industry insider to help the recent or soon-to-be-graduated designer develop their oh-so-important design portfolio.  Portfolio Design for Accessories Designers is specifically written for accessories designers, who have different needs in developing their portfolios than do apparel designers.

The only book of its kind, Portfolio Design for the Accessories Designer has been in development for more than 6 years.  While written for the senior design student and the new design graduate, fashion design school applicants will also find the advice in this book helpful in creating their design application portfolio.

Portfolio Design for the Accessories Designer incorporates industry know-how and technical expertise in a simple, easy-to-read format.  Using examples drawn from a successful accessory designer’s portfolio, this book explains comprehensively what it takes to have a professional, job-winning portfolio. The process of developing collections and visual stories for inclusion in a good portfolio is exhaustively covered.

Lavishly illustrated with actual accessories collections, the author explains why each collection works (or doesn’t work) in a successful portfolio.  These ‘insider secrets’ are exactly the things you need to successfully develop and show your design portfolio to potential employers and design schools, and any place you need to be able to demonstrate your design skills to maximum effect.

Portfolio Design for the Accessories Designer is 230 pages long and includes 12 full-color accessories design collections, along with technical specification, orthogonal sketches, trim and print examples.  Available on Amazon, Portfolio Design for the Accessories Designer will teach the reader how to create knock-their-socks-off accessories design portfolios that help win jobs, awards, and much more.

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About Fashion Research Institute, Inc.: The Fashion Research Institute is at the forefront of developing innovative design & merchandising solutions for the apparel industry.  They research and develop products and systems for the fashion industry that sweepingly address wasteful business and production practices. Shenlei Winkler’s work spans both couture and mass-market design and development for the real life apparel industry. A successful designer, her lifetime sales of her real life apparel designs have now reached more than $70 million USD, with more than 25 million-dollar styles in her portfolio. Her couture work has appeared extensively on stage and movie screen.

Something Completely Visionary: Fashion, Tech, Innovation, Part 5

Armed with our initial vision of a base garment that could essentially play videos or images on its surface, let’s explore some of the challenges that need to be addressed before this could become reality.

Last time we talked about comfort as it pertains to the make and manufacture of the actual garment.  This time, let’s discuss safety considerations of such a garment.

There are several areas of importance to consider with such a garment: first, of course, is the safety of the actual material used for the base garment; secondly is the safety of the circuitry; third is the safety of the power supply; and fourth is something which is often ignored by both apparel and accessories designers, the ergonomics of such a garment.

Let’s take these one at a time.

The actual material used, by its nature, will be very new to the industry.  Since it is unclear if it will something like a flexible glass, or something like a giant OLED, it’s difficult to assess the precise nature of safety concerns, but some things will always remain a concern: does the material off-gas at any point in its development or wear cycle? By this we mean are any sort of noxious fumes released by the material?

We all know about the toxic side-effects of formaldehyde and other chemicals used in various ways in the apparel industry.  We all also know how horrific a textile warehouse can smell from all of the other chemicals used in developing just the textiles alone (bleaches, aldehydes, and so on) most of which will give the user anything from a mild headache to an allergic response to, with enough exposure, various long-term health issues.

Any new material used in this way should definitely address some of these considerations, and be as inert as possible. Materials in the ware house are bad enough, with the build-up of fumes and other gaseous effluent, but covering a wearer’s body, and being exposed to the wearer’s skin presents even larger challenges to keep the wearer safe.

Beyond simple storage considerations, how would such a new material be handled, cut, constructed, packaged, and eventually, shown? What sort of health concerns might we need to have beyond the obvious ones of the material shattering easily: would this create splintering or particles which a worker would need special protective tools and garments to avoid being cut or injured?

And what about the wearer?  Would a garment made from a ew base material capable of playing back images or videos be shatter-resistant? How would the wearer be protected from possible health considerations, and how would such a material be developed to ensure the wearer’s safety?

If it possible, even, to build safety features into the material, e.g., to provide it with micropore filtration devices, to filter out pollutants and harmful radiation like ultraviolet and other wavelengths?

A garment that would enable an increased level of health and safety for the wearer would provide an exceptional boon to the wearer, who could be both stylish and safe at the same time.

Next time, we’ll look at other safety considerations.

 

White Paper Available: Leveraging the Power of Virtual Worlds for Collaboration

New York, NY March 24, 2011 – Fashion Research Institute Publishes Latest Thought Piece: Leveraging the Power of Virtual Worlds for Collaboration by CEO Shenlei Winkler.

Fashion Research Institute CEO, Shenlei Winkler, announces that FRI’s latest publication, Leveraging the Power of Virtual Worlds for Collaboration, has been published.

Based on a presentation initially made in January 2008 to IBM Research North America, this whitepaper incorporates case studies drawn from FRI’s well-publicized collaborations in business, education and fashion, and focuses on some additional use cases.

Leveraging the Power of Virtual Worlds for Collaboration may be downloaded from the Fashion Research Institute web site.

About Fashion Research Institute, Inc.: The Fashion Research Institute is at the forefront of developing innovative design & merchandising solutions for the apparel industry.  They research and develop products and systems for the fashion industry that sweepingly address wasteful business and production practices. Shenlei Winkler’s work spans both couture and mass-market design and development for the real life apparel industry. A successful designer, her lifetime sales of her real life apparel designs have now reached more than $70 million USD, with more than 25 million-dollar styles in her portfolio. Her couture work has appeared extensively on stage and movie screen.